“What connects Pangea, Mexico, and Asia? The early history of continents and their migrations tells us that the first settlers of the Americas arrived through the Bering Strait from Asia. But beyond history, we imagine a world where the ancient peoples of the Americas rediscover their Oriental essence. In this vision, time bends, and events unfold in a singular moment in the Universe’s history —an era before eagles and snakes (the symbols of the Mexican flag). A magical age when flying fish soared over Mexico, and the first Mexicans gazed into the future, dreaming of what was to come. Endless Lovers —Gondwana and Laurasia— are reborn through time and space as men and women who cannot stop loving. Wise Children, perhaps Indigo souls, illuminate the world with their blazing blue light, flowing endlessly through encounters and separations. White Dancers embody the cycle of birth, life, and death through Butoh, expressing the raw intimacy of existence. Original Souls, the elder narrators, give voice to pre-Hispanic visions of Mexico’s genesis and the origins of human life. Flying Fish Over Mexico, a journey through time, myth, and the eternal dance of creation.” — PV

“Choreographer and professor Evelia Kochen did an extraordinary work bringing dance to students in the National Theater School at CNA. Later, cast members created theater companies such as Nadia Zúñiga (El Ensamble, Teatro Playback Barcelona), Francia Castañeda (Teatro Entre2), and Adrián Hernández (Teatro Al Vacío). Sue Ellen Bernal became a state congresswoman. Luís García, Bruno Schauwecker, and Víctor Vega developed relevant careers in communications. Leopoldo Rivera became CEO, and health master. Flying Fish Over Mexico was the start of a path that took us to work together at Televisa, and Cancun Riviera Maya International Film Festival. They’re close friends and partners in life. Guadalupe Lima was an essential creative/producing force in all these projects in Mexico. Thank you all.” — PV I Behance

Flying Fish Over Mexico

“Flying Fish Over Mexico is a poetic journey across time and space. Blending theater, dance, and visual art, it shows the backdrop of Mexico's culture. Directed by Pedro Valiente, choreographed by Evelia Kochen, and produced by Guadalupe Lima, it is a production by Flying Fish Work, co-produced by Tecnológico de Monterrey and the National Center for the Arts.

The story unfolds as a dreamlike search of identity and memory. It weaves together elements of Mexican history and contemporary themes, creating a tale that is both local and universal. The love of Gondwana and Laurasia allows for multiple views, inviting the audience to embark on self-discovery. The characters embody archetypes and emotions through movements that convey a rich inner life. Through minimal yet powerful performances, they become mirrors reflecting the complexities of the human experience. Central to the project is Butoh, addying a layer of introspection, a language of its own.

The visuals are crafted with set design that evoke a sense of timelessness. Each scene is a painting in motion, where lighting creates a haunting atmosphere with images that enhance emotional resonances. The poetic text evolves with dialogue and monologues that echo with beauty. Words create a rhythm that match visual and physical elements. The piece invites the audience to engage with art on different forms. It offers a look into an extraordinary world.” Site I EXTERNAL REVIEW