Robert Wilson. Planetary Performing Arts
PEDRO VALIENTE
Recommended Book by Casa del Libro Madrid I Top 10 Performing Arts Books by Librería Alibri I Barcelona Published by Ñaque Ed.
Robert Wilson. Planetary Performing Arts (2005) is the first part of a book series on Robert Wilson’s work followed by the upcoming Suspended Time Space. Robert Wilson’s Creative Process. Both based on the PhD dissertation Study of Robert Wilson’s Creative Process.
Robert Wilson. Planetary Performing Arts (Robert Wilson. Arte escénico planetario) with focus on interdiscilinary work and comparative study.
Robert Wilson I The Watermill Center
Photo: Deafman Glance: Peter Moore I © RW Work Ltd.
“With extensive research and insider’s views, ‘Robert Wilson. Planetary Performing Arts’ delivers more than a study. It offers a constellation of insight, a poetic tribute to an artist whose theater has reached beyond the stage.”
"I arrived at Robert Wilson’s world by chance —perhaps in the same way that men and women stumble upon great discoveries in life. I arrived with the transparent innocence that only tireless travelers possess, driven by the desire to explore extraordinary territories of the mind and spirit.
In New York, academic research brought me closer to one of the true geniuses of contemporary performing and visual arts. I admire Robert Wilson’s work and feel privileged to have been —even in the smallest way— a part of his creative process. But this book is neither a tribute nor an exercise in blind adulation. I have made every effort to avoid excessive personalization of judgments, steering clear of uncritical praise. Instead, I use Wilson’s work as a gateway to explore contemporary arts. Few artists, like this visionary director from Texas, have ventured so fearlessly across multiple disciplines —avant-garde theater, modern opera, contemporary dance, visual art, and audiovisual technology. He approaches each with generosity and honesty, always guided by a multicultural perspective, an experimental spirit, and a fusion of languages that define 20th century art: uncertain, hybrid, and global.
For readers eager to explore the avant-garde beyond a single figure, this journey through Wilson’s work may serve as an enriching path. And yet, I still wonder why are there so few books about Robert Wilson? Aside from oversized volumes that grace coffee tables, where are the in-depth explorations? But then again, when dealing with the theater of images, who needs printed words? At least Picasso had better luck." — Pedro Valiente [Translated from the book’s prologue]
A Journey Through the Avant-Garde
Photo: The Days Before DDDIII: PV I © RW Work Ltd.
ABSTRACT Robert Wilson. Arte escémico planetario (2005) I Avant-garde: Symbolism, Expressionism, Dadaism, Surrealism, Theater of the Absurd. I Visionaries: Alfred Jarry, Adolph Appia, Edward Gordon Craig, Oscar Schlemmer, Vsevolod Meyerhold, Erwin Piscator. Authors: Samuel Beckett, Tadeusz Kantor. Masters: Martha Graham, Merce Cunningham. I Aesthetic: Experimentation, postmodernity, multimedia, interdisciplinary, multicultural, ecological, oriental. I Artistic disciplines: performing arts, visual arts, film/media. I Creative process: scenic techniques, voice/sound, text/composition, performance/movement, light/costume, space/time, mise-en-escene, total theater.
— Photo: Einstein on the Beach: Lucie Jansch I © RW Work Ltd.
"Robert Wilson. Planetary Performing Arts follows Study of Robert Wilson’s Creative Process, a PhD dissertation that served as a way of immersing myself in contemporary art in the frame of the avant-garde.
Over the past several decades, Robert Wilson is well known as a master of opera staging, with successful productions commissioned by major opera houses, especially in Paris and Berlin. Although Wilson is essentially a theater author/director and visual artist immersed in movement, as he has created an extensive visual work including drawings, paintings, furniture design, video art, and installations.
Wilson is the master of light in the performing arts of the 20th century and beyond. He is a great admirer of dancer Martha Graham, and a follower of the Black Mountain College experimental tradition with figures like painter Robert Rauschenberg and musician John Cage. Wilson appears in the emblematic book The Theater of Images together with Richard Foreman and Mabou Mines.
Robert Wilson belongs to the unique generation that took New York by storm in the second half of the 60s to establish groundbreaking languages for contemporary art to this day. Writers Heiner Müller, and William S. Burroughs; musicians Philip Glass, Lou Reed, and Tom Waits are among his numerous extraordinary collaborators. I could not lock myself in for years into any other world." — Pedro Valiente
Theater of Images
RECOMMENDED BOOK by Casa del Libro, Madrid I TOP 10 PERFORMING ARTS BOOKS by Librería Alibri, Barcelona
PRAISE
Book in DRAMA TECHNIQUE series with authors Ian Watson and José Sanchis Sinisterra. Ñaque Ed. Fernando Bercebal director, Cristina M. Ruiz Pérez
DRAMA SERIES
PUBLISHER Ñaque Ed. I Book BOOK STORES Madrid: Casa del Libro I Barcelona: Alibri I Bukz I FNAC I El Corte Inglés I Loring Art I Yorick I Artez I Artezblai I Librería Proteo I Amazon
INSTITUTIONS Biblioteca Nacional de España I INAEM I La Central MNCARS I BARCELONA LAIE Centro de Cultura Contemporánea de Barcelona (CCCB) I Institut del Teatre INTERNATIONAL NEW YORK The Watermill Center I Lectorum I Macondo UK I FRANCE I GERMANY Agapea MEXICO Conaculta I Ghandi
UNIVERSITY Universidad Autónoma de Barcelona I Universidad Politécnica de Madrid I Universidad Miguel Hernández I Biblioteca Miguel de Cervantes I Book mentioned internationally including books, PhD dissertations, MA thesis, and university programs UCM Universidad Complutense de Madrid I PhD dissertation: CD I (2025) E-Print 2000+ downloads from 50+ countries.
BOOK REVIEW by writer Irma Correa for Acotaciones Magazine, Real Escuela Superior de Arte Dramático (RESAD) BOOK MENTIONS Academia de las Artes Escénicas de España Magazine I Teatro Español Theater Pogram I Fundación SGAE Writers Lab I LinkedIn ACADEMIC MENTIONS (2025) Academia registers 1000+ book mentions
BOOK MENTIONS: ARTICLE: Robert Wilson’s Vision by Johannes Birringer, Performing Arts Journal, The MIT Press Link I PhD: Chaos Theory and Robert Wilson: A Critical Analysis of Wilson’s Visual Arts and Theatrical Performances by Shahida Manzoor, Ohio University Link I BOOKS Ludics in Surrealist Theatre and Beyond by Vassiliki Rapti, Routledge Link I Robert Wilson by Maria Shevtsova Link
SELECTED PRESS
All is Connected
Robert Wilson. Planetary Performing Arts
Ñaque Ed.
ABSTRACT Avant-garde: Symbolism, Expressionism, Dadaism, Surrealism, Theater of the Absurd. I Visionaries: Alfred Jarry, Adolph Appia, Edward Gordon Craig, Oscar Schlemmer, Vsevolod Meyerhold, Erwin Piscator. Authors: Samuel Beckett, Tadeusz Kantor. Masters: Martha Graham, Merce Cunningham. I Aesthetic: Experimentation, postmodernity, multimedia, interdisciplinary, multicultural, ecological, oriental. I Artistic disciplines: performing arts, visual arts, film/media. I Creative process: scenic techniques, voice/sound, text/composition, performance/movement, light/costume, space/time, mise-en-escene, total theater. I Book 01 Robert Wilson. Arte escénico planetario
Suspended Time Space. Robert Wilson’s Creative Process
Upcoming
ABSTRACT Creative process by Robert Wilson through three versions of Death Destruction and Detroit through three decades: DDDI (1979) with technical study, DDDII (1987) with comments by collaborators, and THE DAYS BEFORE: death destruction and detroit III (1999) with journals of workshops at The Watermill Center in New York I Style and essentials: from Wagner's total theater to space in non-conventional performing arts I Commented chronology, documentation I Articles on artists Heiner Müller, Laurie Anderson, et al. I Book 02 Tiempo espacio suspendido. Proceso de creación de Robert Wilson
Study of Robert Wilson’s Creative Process
PhD dissertation
SUBJECT: RW work (Part 01), and creative process (Part 02). LANGUAGE: Spanish. AUTHOR: Pedro Valiente. DIRECTOR: José Ramón Pérez Ornia. PROGRAM: Audiovisual Creativity and Production. UNIVERSITY: Universidad Complutense de Madrid. DEFENSE: December 2000, PhD awarded cum laude. E-PRINT (2025): 2000+ downloads from 50+ countries. PhD dissertation Estudio del proceso de creación en la obra de Robert Wilson
The Days Before: DDDIII
by Robert Wilson
The Days Before DDDIII by Robert Wilson uses fragments from The Island of the Day Before by Umberto Eco, Tone Poems by Christopher Knowles as well as biblical and found texts. Recited by readers including Fiona Shaw and Isabella Rossellini as a series of visual landscapes, it’s inspired by Kabuki theater and contemporary dance. Light supervised by A.J. Weissbard and visuals by video designer Christopher Kondek and video design collaborator Pedro Valiente. Developed over three years at The Watermill Center, and also at Piccolo Teatro di Milano and Teatro Comunale di Modena, Italy. Theater Original title: THE DAYS BEFORE: death destruction and detroit III
Theater of Images
BOOKS
Robert Wilson. Planetary Performing Arts I Ñaque Ed.
Suspended Time Space. Robert Wilson's Creative Process I Upcoming
PhD
Study of Robert Wilson’s Creative Process I UCM
THEATER
The Days Before: DDDIII by Robert Wilson
ROBERT WILSON
Robert Wilson I The Watermill Center
— Photo: © The Fables of La Fontaine: Martine Franck with permission for book’s cover I © RW Work Ltd
Robert Wilson. Planetary Performing Arts
"Robert Wilson. Planetary Performing Arts by Pedro Valiente invites readers into the luminous world of Robert Wilson, an artist who redefined the stage as a living canvas where silence, light, and movement converge in unexpected harmony. Far from being a conventional study, the book sets Wilson’s stage language within the 20-21st century art, drawing parallels between his visionary work and the avant-garde. Valiente unpacks Wilson’s signature techniques —his sculptural approach to light, his audacious manipulation of time, and his distilled visual minimalism— revealing how they break down traditional narrative structures, and create new modes of experiencing performance. Through this lens, Wilson emerges as a choreographer of time, and a sculptor of silence.
Grounded in a six-hundred-page doctoral dissertation, the book balances scholarly precision with a sense of wonder at Wilson’s artistry. Valiente’s study is at once analytical and poetic, situating Wilson at the intersection of theater, visual art, music, and architecture. By mapping the guiding strategies in his oeuvre, the author illuminates how Wilson’s work resonates far beyond the stage, making a unique impact on contemporary arts. It is both a critical study and a tribute: a compass for navigating Wilson’s vast creative cosmos, where performance becomes an act of transformation and theater a planetary art form." Site I Ñaque Ed. I EXTERNAL REVIEW