research

“I explore narratives that move between disciplines and cultures, guided by an experimental approach to storytelling shaped by contemporary art. Grounded in an interdisciplinary and multicultural practice, my work engages emerging narratives as spaces for imagining more sustainable futures.” — PV

UNIVERSITY

“This creative research brings the spirit of hybrid projects through storytelling and education, using technology as a bridge between disciplines. Grounded in collaboration, this work invites diverse voices to co-create narratives that rethink how we learn, connect, and communicate across cultures.”

— External Review

“**Emerging narratives** challenge inherited structures of storytelling, opening experiments in perception. It requires stepping into the unknown, embracing risks, and letting intuition guide the creative process. The dialogue between disciplines fosters innovation —each medium offers a unique lens to reimagine reality. Filmmaking captures time, memory, and movement; visual theater transforms space into a living narrative; writing distills thought and emotion; and visual art evokes the unspeakable through images. In each, there's an interplay between the tangible and unseen, the personal and universal. What if a film unfolded like a dream, untethered from linear time? What if a stage dissolved its fourth wall, inviting the audience to co-create? What if language fractured and recombined, opening new poetic dimensions? Techniques from cinema influence stage compositions; poetic structures inspire visual rhythms; sculptural forms suggest filmic movement. The blend of ideas expands storytelling, building connections.” — PV

“
Our life is half natural and half technological. We must have a strong human element to keep modesty and natural life.”

Nam June Paik

“Cross-disciplinary work intrigues me: blending the technical language of film with the live nature of performance, or finding words that look and images that speak. My creative research moves across mediums, seeking new ways to connect art, technology, and human experience. Living and studying in global cities —over ten years in New York, five in Mexico City, and nearly two in the UK— has deeply shaped both my worldview and artistic practice. Each project reflects this ongoing exploration of narratives, and innovation within a sustainable framework.

Interdisciplinary I My background brings together multiple disciplines —filmmaking, visual theater, writing, and visual art— forming a language that is both experimental and collaborative. This evolving blend allows me to question boundaries, and to create works that live between the seen and the felt, the constructed and the spontaneous.

Multicultural I Having worked in more than twenty countries, I draw from a wide perspective that embraces diversity and exchange. The crossroads of cultures, languages, and creative practices continue to inspire my professional and artistic work, shaping a practice that is as much about dialogue as it is about discovery.

Innovation I Focused on forward-thinking, international collaboration, I create experimental art that builds global connections, and develops university programs linking the arts, innovation, and technology. My work integrates transmedia storytelling with emerging tools such as AI and XR, always in the spirit of creative inquiry and transformation.

Sustainable I Since the film New York Spin, I have used the leitmotif 'ecology of souls' connecting the arts and environmental spirit. This idea extends into community-based projects —including volunteering for NGOs and art centers. In this frame, social work is not only about professional outcomes, but also about responsibility toward people, culture, and the planet.

My work is about connecting and sharing. In an age shaped by digital cultures —where immediacy can both unite and divide— I see creative research as a living ecology, fluid and collective. It invites reflection as much as innovation, embracing uncertainty to turn cultural and social challenges into opportunities for sustainability, and renewal. Through this process, I seek spaces where art, technology, and community evolve together, building more inclusive ways of being in a connected world.” — PV

Creative Research

INTERDISCIPLINARY

“My educational and professional background connects disciplines, with a particular focus on filmmaking, visual theater, writing, and visual art.” PV
— Artwork

Films New York Spin and You Are Mythical. I Installations Multiple Portraits trilogy.

“Transmedia storytelling is a narrative structure that expands through both different languages (verbal, iconic) and media (cinema, comics, TV, video games).” [Britannica]

FILMMAKING

Robert Wilson The Days Before DDDIII, New York. I Butoh Flying Fish Over Mexico, Mexico City. I Tilmun Teatro, Madrid.

Multimedia refers to the use of more than one medium of expression. Cross-media involves more than one form of public communication (TV, radio, internet).

VISUAL THEATER

Writing The Book of B. I Book Suspended Time Space. Robert Wilson's Creative Process. I Site Flying Fish Work.

WRITING I VISUAL ART

INTERDISCIPLINARY WORK: **FILMMAKING** *New York Spin*, early practice on transmedia in New York, and *You Are Mythical* for an interdisciplinary *European Project*. I **VISUAL THEATER** Video design for *The Days Before DDDIII* by Robert Wilson in New York, and *Flying Fish Over Mexico* Butoh dance in Mexico City, and Tilmun Teatro in Madrid. I **WRITING** for film/theater, and poetry, as well as drama books, a PhD dissertation, and articles. I **VISUAL ART** projects including *Multiple Portraits* installations trilogy, sites, photo, and digital art. I Artwork I Photo: Behance Digital Art

MULTICULTURAL

EUROPEAN PROJECT I Crossing Stages, co-funded by the European Union, interdisciplinary arts program including augmented realty and robotics. I Vimeo I YouTube I Media director: PV

EUROPE

spain i France I Italy I Portugal I Slovenia

ARTS EVENT I Myths MX arts showcase, including live performance on screen, by Communication students from Tecnológico de Monterrey, Chihuahua campus. Public event for local audience and press at Quinta Gameros Museum.

SITE I The Barbaric Country - El País Bárbaro, website and media content by students at Innovation Week, Tecnológico de Monterrey. Project connected with The House of My Dreams and Barbaric Portraits films. Manager: Virginia Aceves. Director: PV

LATIN AMERICA

Mexico

DIGITAL MEDIA I Factory, center piece for In the Margin Festival Opening Night, launching Factory art hub at The Jordan National Gallery of Fine Arts —including archival imagery, ambient sound, and immersive video. Factory director: Rocío Villalonga

Modern Women, three-parts series portraying Arab women navigating work, family, and healthcare, produced by Spanish NGO Alliance for Solidarity. Media reflecting visual, socially engaged work across digital platforms. Director: PV

MIDDLE EAST

Jordan

MULTICULTURAL PROJECTS: **SPAIN** I **FRANCE** I **ITALY** I **PORTUGAL** I **SLOVENIA** *Crossing Stages* European arts project at Universidad Carlos III de Madrid. I **SPAIN** *Entramados* arts event at UDIT University of Design, Innovation and Technology. I **MEXICO** *Myths MX* arts event at Quinta Gameros Museum, *The Barbaric Country* site at Innovation Week, *Family Tree* film project at Tecnológico de Monterrey. I **CHILE** *Transmedia* workshop at Pontificia Universidad Católica de Chile. I Selected Projects

INNOVATION

“With a focus on experimental work, international collaboration, and higher education in emerging markets, I’ve worked on creativity, exchange, and transformation within both artistic and professional fields.” PV
— Projects

PROGRAM I BA Contemporary Media Practice at Arts University Plymouth, UK. “AUP is an independent university-sector art school run by artists and designers for artists and designers.” AUP I Program leader: PV

▶ PLAY Digital Media I Selected projects: *Media Lab* innovation; *MIXarts* workshops, and *Ulysses* international artists.

CONTEMPORARY MEDIA

UK

MOOC I Film Documentary! New Trends New Formats, Massive Open Online Course by Universidad Carlos III de Madrid for edX MIT/Harvard University. “This course features new trends and formats in contemporary documentary film with a focus on innovative works in an interactive and multi-platform environment.” edX I Collaborator / Featured filmmaker: PV

▶ PLAY Trailer I Director: Pilar Carrera I Team: Eva, Herrero, Clara Sáinz de Baranda, Pedro Valiente. I MIT Open Documentary Lab I edx Bio I edX PDF I edX Trailer

DIGITAL LEARNING

US / spain

WORKSHOP / PERFORMANCE I Transmedia by Phillip Baldwin from Stony Brook University, New York, with upcoming artists for Arts I Science I Technology symposium/event at Pontificia Universidad Católica de Chile. I Artist Talk/Workshop Participant: PV

Photo: Visuals for Artist Talk I Transmedia Workshop

TECH I ARTS

chile

INNOVATION/TECHNOLOGY TRAINING: • 2025 I Diploma **Master in Coolhunting** Trends Forecasting in Culture and Society [Project: *Producing Innovative Content in Film/Media*] Coolhunting University I Spain • 2025 I Diploma **Projects Incubator** Development of New Ideas and Startups [Project: *Building a Contemporary Media Company*] Incubadora con Valores I Spain. • 2024-2025 I Certificates Visual Worlds with AI Chaos Prompting Luke Wilcoxson, Domestika I **Introduction to AI** & **Prompt Engineering** Pau García-Milà I Magda Teruel I Completed **Generative AI for Creative Media** Sara Maki I **Introduction to AI** Pedro Bisbal. Foundational training in artificial intelligence [Focus on emerging narratives] Founderz / Microsoft I Spain • 2021-2023 I Completed **Transmedia Arts & Technology** Coordinated by Magda Romanska. Interdisciplinary seminars on digital culture, transmedia storytelling, and emerging technologies [Focus on performing arts] metaLAB, Harvard University I US • 2016 I Attended **Transdisciplinary Imaging** *The Atemporal Image. IV International Conference. Transdisciplinary Imaging at The Intersection Between Art, Science, and Culture*. [Focus on media]. Hosted by i-DAT Open Research Lab, University of Plymouth I UK. I Projects I Education

SUSTAINABLE

VOLUNTEERING I Community Work including Cuba in New York exhibition at Williamsburg Art & Historical Center, New York. Action in Africa humanitarian program at Spanish NGO Fundación Beas. The Story of Colors arts workshop at Dominican NGO Oné Respe. International Women Day media, and Modern Women digital media series at Spanish NGO Alianza por la Solidaridad. Factory arts hub at Jordan National Gallery of Fine Arts. I Coordinator/collaborator: PV I Culture/Social

COMMUNITY

International

WRITING I Creative Research and Academic Work, connected with sustainable futures, including Capturing Contemporary Media, visual essay for AUP, published by ARTSevilla magazine, Spain; and visual essay for Critical Transmedia, digital book by Phillip Baldwin ed., Stony Brook University, NY. I Writer: PV

RESEARCH

International

WRITING Development Audiovisual Culture for International Development, article for Semiosfera magazine, Universidad Carlos III de Madrid. Academic and creative writing connected with artwork including documentary films New York Spin (celebrating the city’s human diversity), and You Are Mythical (connecting young Europeans through classic myths). I Writer: PV I Articles

DEVELOPMENT